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131219s2012 it a c 000 0deng d |
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|a9788869654008 :|cNT1902(pbk.)
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|a8869654001 |c(pbk.)
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| 035 |
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|a(OCoLC)839300870
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|aBTCTA|beng|cSTF|dOCLCO|dOUN|dTMUE|eAACR2
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| 050 |
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|aTR654|b.K4977 2012x
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| 082 |
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|a779.092
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|a779.092/W717/2012//////A0296536
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|aTMUE|b41|cA0296536|pB|d779.092|eW717|y2012|r1902|tDDC
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| 245 |
00
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|aWilliam Klein :|bpaintings, etc. /|cconcept and design, William Klein.
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| 260 |
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|aRoma :|bContrasto,|cc2012.
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| 300 |
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|a103 p. :|bill. (mostly col.) ;|c25 x 35 cm.
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| 500 |
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|aPublished in cooperation with HackelBury Fine Art, London, and Howard Greenberg Gallery, New York.
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| 520 |
8
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|aWilliam Klein is a cult figure in photography and film and, although long noted as a painter, his early work has remained largely unseen for over sixty years. This book presents a selection of extremely rare Klein paintings from the late 1940s and early 1950s. It also includes projects for murals, some of which executed on a monumental scale for the first time, Lettrist works, fashion photographs and Printed Contacts. The show also maps a decisive moment in the artist's development: in 1952. While photographing his painted Turning Panels commissioned by architect Angelo Mangiarotti, Klein captured the blur of objects in movement. The incident set the artist off on a series of experiments in the dark room, in which he developed the blueprint of his photographic abstraction. Giving a new perspective on his entire career, this book clearly portrays the foundations of Klein's unique visual language as his trajectory is traced through painting, architecture, photography, books, and film.
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| 600 |
10
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|aKlein, William|vCatalogs.
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| 650 |
0
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|aPhotography, Artistic|vCatalogs.
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| 700 |
1
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|aKlein, William.|tWorks.|kSelections.
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| 710 |
2
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|aHackelBury Fine Art (Gallery)
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| 710 |
2
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|aHoward Greenberg Gallery (New York, N.Y.)
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