| 008 |
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201028s2020 enkag b 001 0 eng d |
| 015 |
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|aGBC0G3407|2bnb
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| 020 |
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|a036773303X|q(pbk.)
|
| 020 |
|
|a9780367733032|q(pbk.) :|cNT$1524
|
| 020 |
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|a9781472470409|q(hbk.)
|
| 020 |
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|a9781315613291|q(ebk.)
|
| 035 |
|
|a(OCoLC)1202055048
|
| 040 |
|
|aYDX|beng|cYDX|dUKMGB|dOCLCO|dOCLCF|dMBB|dOCLCO|dBDX|dOCLCQ|dOCLCO|dTMUE|eaacr
|
| 050 |
4
|
|aML197|b.R68 2020
|
| 082 |
04
|
|a780.904|223
|
| 095 |
|
|aTMUE|b64|cA0336821|pB|d780.904|eR869|y2020|tDDC|r1524
|
| 245 |
04
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|aThe Routledge research companion to modernism in music /|cedited by Björn Heile and Charles Wilson.
|
| 260 |
|
|aLondon ;|aNew York, NY :|bRoutledge,|c2020.
|
| 300 |
|
|axv, 518 p. :|bill., music ;|c25 cm.
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| 504 |
|
|aIncludes bibliographical references and index.
|
| 505 |
00
|
|tPart 1: Foundations --|tThe birth of modernism - out of the spirit of comedy /|rJames R. Currie --|tWhat was contemporary music? The new, the modern, adn the contemporary in the International society for contemporary music (ISCM) /|rSarah Collins --|tInstitutions, artworlds, new music /|rMartin Iddon --|tModernism and history /|rDavid J. Code --|tMusical modernity, the beautiful and the sublime /|rEdward Campbell --|tPart 2: Positions --|tReactive modernism /|rJ. P. E. Harper-Scott --|tMusical modernism, global: comparative observations /|rBjörn Heile --|tMusical modernism and exile: cliché as hermeneutic tool /|rEva Moreda Rodríguez --|tModernism: the people's music? /|rRobert Adlington --|tModernism for and of the masses? On popular modernisms /|rStephen Graham --|tTimes like the present: de-limiting music in the twenty-first century /|rCharles Wilson -- The composer as communication theorist /|rM. J. Grant --|tHow does modernist music make you feel? Between subjectivity and affect /|rTrent Leipert --|tPart 3: Practices --|tBetween modernism and postmodernism: structure and expression in John Adams, Kaija Saariaho and Thomas Adés --|tFoundations and fixations: continuities in British musical modernism /|rArnold Whittall --|tThe Balinese moment in the Montreal new music scene as a regional modernism /|rJohnathan Goldman --|tVers une écriture liminale: serialism, spectralism and écriture in the transitional music of Gerard Grisey /|rLiam Cagney --|tContemporary opera and the failure of language /|rAmy Bauer --|t'Es klang so alt und var doch so neu!': modernist operatic culture through the prism os staging Die Meistersinger von Nürnberg /|rMark Berry --|tThe modernism of the mainstream: an early twentieth-century ideology of violin playing /|rStefan Knapik.
|
| 650 |
0
|
|aModernism (Music)
|
| 650 |
0
|
|aMusic|xHistory and criticism.
|
| 700 |
1
|
|aHeile, Björn.
|
| 700 |
1
|
|aWilson, Charles,|d1968-
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