|aArtificial intelligence - intelligent art? :|bhuman-machine interaction and creative practice /|cEckart Voigts ... [et al.] (eds.).
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|aBielefeld :|bTranscript,|c2024.
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|a291 p. :|bill. (chiefly col.) ;|c23 cm.
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|aDigital society,|x2702-8852 ;|vv. 64
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|aIncludes bibliographical references.
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|aArtificial intelligence - intelligent art? : an introduction / Eckart Voigts, Dietmar Elflein, Jan Röhnert -- AI automation, creativity, cognitive labor / Jens Schröter -- Dumb meaning: machine learning and artificial semantics / Hannes Bajohr -- Artist-guided neural networks: automated creativity or tools for extending minds? / Varvara Guljajeva, Mar Canet Sola, Isaac Clarke -- Embodied voice and AI: a techno-social system in miniature / Diana Serbanescu, Scott DeLahunta, Ilona Krawczyk, Kate Ryan, Mika Satomi -- Sound of contagion: an artistic research project exploring A.I. as a creative tool for transmedial storytelling / Wenzel Mehnert, Robert Laidlow, Chelsea Haith, Sara Laubscher -- Challenges and opportunities for computational construction of narratives / Pablo Gervás -- The Marcel Duchamp case in, against, or after artificial creativity / Jan Løhmann Stephensen -- Creativity and function / Robin Markus Auer -- Contemplating automaton consciousness through creativity in Rokuro Inui's Automatic Eve / Shoshannah Ganz -- Where machine and muse meet: towards a creativity of AI art / Angela Krewani -- Material films in the age of artificial intelligence: some remarks on automated creativity in contemporary experimental film / Christoph Seelinger -- Dear GPT-3: collaborative writing with neural networks / Jenifer Becker -- Affirmative, reject: with and against AI / Mattis Kuhn -- Artificial intelligence in songwriting and composing: perspectives and challenges in creative practices / Björn Tillmann, Wolf-Georg Zaddach -- On human-machine relationship and the notion of an artificial intelligence in musical practice / Sebastian Kunas -- The upcoming change in human musical thinking: what does a music professional do in the age of AI? / Nikita Braguinski -- The roughness of neural networks: Jimi Hendrix, Holly Herndon, GPT-3, Timbre Transfer and the promising failure aesthetics of musical AIs / Jan Torge Claussen -- Digital aesthetics: a symbolism of the body and a more-than-human mode of enquiry / Jannis Steinke.
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|a"As algorithmic data processing increasingly pervades everyday life, it is also making its way into the worlds of art, literature and music. In doing so, it shifts notions of creativity and evokes non-anthropocentric perspectives on artistic practice. This volume brings together contributions from the fields of cultural studies, literary studies, musicology and sound studies as well as media studies, sociology of technology, and beyond, presenting a truly interdisciplinary, state-of-the-art picture of the transformation of creative practice brought about by various forms of AI." --|cback cover.
As algorithmic data processing increasingly pervades everyday life, it is also making its way into the worlds of art, literature and music. In doing so, it shifts notions of creativity and evokes non-anthropocentric perspectives on artistic practice. This volume brings together contributions from the fields of cultural studies, literary studies, musicology and sound studies as well as media studies, sociology of technology, and beyond, presenting a truly interdisciplinary, state-of-the-art picture of the transformation of creative practice brought about by various forms of AI.
Robin Markus Auer is working towards a PhD as part of an interdisciplinary research project on automated creativity in literature and music at Technische Universität Braunschweig. His work focuses on the interplay between human and machine creativity in coupled embodied creative systems.
Dietmar Elflein (apl. Prof. Dr.) teaches popular music at Technische Universität Braunschweig. He is a member of the advisory board of the German speaking branch of the International Association for the Study of Popular Music.
Sebastian Kunas is a musician, sound artist, producer and educator with background in sub and DIY culture as well as in cultural and sound studies. He teaches electronic sound and music practice and supervises the electronic studio and the recording studio at the Faculty of Cultural Studies and Aesthetic Communication at Universität Hildesheim. He is a member of the collective ARK (Arkestrated Rhythmachine Komplexities), a changing association of artists, scholars and electronic MusickingThings.
Jan Röhnert is a professor for Modern literature in the technical-scientific world in the Department of German Letters in at Technische Universität Braunschweig. His research interests range from avantgarde poetics and cinema, autobiography and war, landscape and geopoetics, nature and wilderness writing to feminism and contemporary literature.
Eckart Voigts is a professor of English literature at Technische Universität Braunschweig. He has written, edited and co-edited numerous books and articles.
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